Wrong Turn 3: Deformity is a 2005 American horror film and the third installment in the Wrong Turn film series. The movie takes place several years after the events of the second film. A group of friends on a hunting trip in the woods stumble upon a deformed family of inbred cannibals.

This story is inspired by the Wrong Turn 3 movie. I hope it meets your requirements!

The group arrived at the cabin, nestled deep within the woods, on a crisp autumn morning. The cabin, old and seemingly abandoned, was supposed to be their home for the next few days. Unbeknownst to them, they were being watched. A family, unlike any other, lived in these woods. Deformed and inbred, they survived by preying on unsuspecting travelers.

The next day, while out hunting, they stumbled upon an old, dilapidated shack. Their curiosity piqued, they decided to investigate. Inside, they found evidence of human remains, but they couldn't shake off the feeling that they were being stalked.

The first night, as the group sat around the fireplace, swapping stories and enjoying their drinks, they heard strange noises outside. At first, they dismissed it as the wind or animals, but as the sounds persisted, they began to feel a growing sense of unease.

The group tried to flee, but the woods were treacherous, and the family was relentless. One by one, they began to disappear. The remaining members of the group were forced to fight for survival, but they were no match for the deformed family's brutality and knowledge of the woods.

The dense woods of West Virginia. A place where the lines between civilization and the wild blur. For Alex, a seasoned hunter, and his friends, Jake and Emily, it was the perfect destination for a hunting trip. They aimed to spend a week in the wilderness, surrounded by the eerie silence of the forest, and return with some impressive hunting trophies.

Where it was filmed 'L'ultimo Paradiso'

The director Rocco Ricciardulli, from Bernalda, shot his second film, L’ultimo Paradiso between October and December 2019, several dozen kilometres from his childhood home in the Murgia countryside on the border of the Apulia and Basilicata regions. The beautiful, albeit dry and arid landscape frames a story inspired by real-life events relating to the gangmaster scourge of Italy’s martyred lands. It is set in the late 1950’s, an era when certain ancestral practices of aristocratic landowners, archaic professions and a rigid division of work, owners and farmhands, oppressors and oppressed still exist and the economic boom is still far away, in time and space.

The borgo of Gravina in Puglia, where time seems to stand still, is perched at a height of 400m on a limestone deposit part of the fossa bradanica in the heart of the Parco nazionale dell’Alta Murgia. The film immortalizes the town’s alleyways, ancient residences and evocative aqueduct bridging the Gravina river. The surrounding wild nature, including olive trees, Mediterranean maquis and hectares of farm land, provides the typical colours and light of these latitudes. Just outside the residential centre, on the slopes of the Botromagno hill, which gives its name to the largest archaeological area in Apulia, is the Parco naturalistico di Capotenda, whose nature is so pristine and untouched that it provided a perfect natural backdrop for a late 1950s setting.

The alternative to oppression is departure: a choice made by Antonio whom we first meet in Trieste at the foot of the fountain of the Four Continents whose Baroque appearance decorates the majestic piazza Unità d’Italia.